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The first listen of BC Camplight’s debut album
‘Hide Run Away’ is disappointing. It has Badly Drawn
Boy written all over it – not that that’s a terrible
thing – but we don’t need another Badly Drawn Boy, certainly
not a yank version. The album sleeve held so much promise –
depicting a giant squirrel chomping on a human head with the ravaged
body lying in a pool of blood. All good stuff.
For some reason I felt compelled to give BC Camplight,
aka Brian Christinzio, one more chance to prove he’d given
us something different. He shares his record label, One Little Indian,
with such outstanding talent as Bjork so he couldn’t be that
bad, or so I thought. And he wasn’t. But he was nothing much
more than ‘that bad’.
The first tune ‘Couldn’t You Tell’
shows promise but the opening riff reminds me of Margarita Pracatan,
that brilliantly eccentric organist who used to grace the stage
on Clive Anderson’s weekly show. I’m already thinking
that this guy, although eccentric, might just have his tongue rammed
a little too firmly in his cheek.
Beach Boy Brian Wilson’s influences are already
apparent but again that’s no bad thing. ‘Blood and Peanut
Butter’, a perfect name for a pretty catchy song that is pleasant
but again nothing more than that. This is followed by ‘Emily’s
Dead to Me,’ which sounds like it could be sung by Tallulah
from Bugsy Malone or Adam Sandler wearing a blue frilly suit at
a wedding in some kitsch American comedy. So far, so alright.
BC Camplight doesn’t have an incredible voice
to fall back on so he relies heavily on his quirkiness and sometimes
it really works. The Button Moon sound effects on ‘Wouldn’t
Mind the Sunshine’ are really endearing but it’s track
10 that almost forces me to re-think everything I’ve just
said. I just love this! Entitled ‘Richard Dawson’ –
god knows why – it’s pacey, exciting, catchy, has a
full sound and makes you want to listen again and again. In fact
it’s very Magic Numbers, which again cannot be a bad thing!
BC Camplight might not set the world on fire but
he’ll stay alight for many a sing-song round the campfire.
words: Rachel Machin
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