Another year, another arbitrary list of winners that impressed us
enough to stick in our learned, if not addled and selective memories.
Having sneered you way through our choices you can cast
you own vote in our reader’s poll, where you can win the
forthcoming Ninja Tune retrospective releases. You may agree wholeheartedly,
you may disagree to the point of disgust or you may not care in the
slightest. But one thing is for certain – if Eyeballkid was
the Rugby World Cup of the virtual interweb then yes, there would
be a parade.
Best Album
1.
KINGS OF LEON ‘YOUTH AND YOUNG MANHOOD’ – Where
the White Stripes sought authenticity in old studios and antique instruments,
Kings of Leon with their hick facial hair and obscenely tight jeans,
just have it. It is the howl of vocals and guitars that permeates
this superb album of drinking, brawling and loving in the Deep South.
Sure it’s all been done before, but they do it with an originality
and character that the likes of Jet can claim to have. (CL)
2.
THE WHITE STRIPES ‘ELEPHANT’ – Released
all the way back in March, the fourth album from the Detroit duo was
an achievement of significant proportions. Already well acclaimed,
the White Stripes moved to another level of respectability with ‘Elephant’
by fine tuning their punk fused blues and making their mark on musical
history with ‘Seven Nation Army’, a masterpiece of modern
rock that will forever be their signature tune. This accomplishment
was only slightly marred by Jack White getting a potentially Yoko-esque
Hollywood girlfriend who broke his finger (albeit indirectly) and
caused the cancellation of their European tour, the bitch. (RH)
3.
DAVE CLARKE ‘DEVIL’S ADVOCATE’ –
In the year of rock’s resurrection, Dave Clarke’s exhilarating
excursion into techno, house, hip-hop and punk shows that in the
hands of the right person, dance music can engage as much as guitars.
(CL)
4.
RADIOHEAD ‘HAIL TO THE THIEF’ – Back
again though in less difficult mood, Radiohead even managed to fit
a couple of guitars onto their sixth album much to the joy of all
concerned. And from the opening ferocious blast of the title track,
‘Hail To The Thief’ continued to tear away and re-sculpt
rock’s conventions. (CL)
5.
NOISESHAPER ‘THE SIGNAL’ - Soft, mellifluous
dub is a nice antidote to the starkness of yesterday’s 160bpms
and today’s thrice-synched lyrics and two-steps. ‘The
Signal’ is a lovely album to listen to and with oodles of
talent in the right places it also has an unrelenting CD-shelf life
that’s nudging aside all my other ‘favourite’
albums. Lets hear it for Noiseshaper. They’re not noisy and
they’re not geometrically shaped. In fact, they’re quite
soothing and very well-rounded. (RS)
6. INTERPOL ‘TURN ON THE BRIGHT LIGHTS’
- Sounding like The Cure meets Joy Division ‘Turn On The Bright
Lights’ is faultless from beginning to end. Here's hoping
they don't suffer from Strokes syndrome and release the First Album
Mark Two in a year or so. Interpol hint at great things on this
first release. (NM)
7.
THE FIERY FURNACES ‘GALLOWSBIRD’S BARK’
– A genuine brother and sister duo whose lyrical nonsense
and wailing feedback hid a searing emotional intensity under a carpet
of brilliant psychedelic noise. (CL)
8.
SPIRITUALIZED ‘AMAZING GRACE’ - Jason Spaceman
fuzzes-out with this great collection of tooth-rattling feedback
drone-songs. (RS)
9. THE POSTAL SERVICE ‘GIVE UP’ –
Gloriously uncomplicated computer pop. Prefab Sprout meets a ZX
Spectrum. (SM)
10.
BASEMENT JAXX ‘KISH KASH’ – Continuing
to re-create the sounds of a noisy party, ‘Kish Kash’
sees the Jaxx continue to write songs that are complex, messy, over-produced
and extremely good fun. (CL)
Best Single
1. WHITE STRIPES ‘SEVEN NATION ARMY’
– Okay so Outkast put in late challenge, but ‘Seven
Nation Army’ was released at the start of the year and you’re
probably still playing air guitar to it right now. The song was
the soundtrack to the year and shot the Detroit duo to fame. (CL)
2. OUTKAST ‘HEY YA’ – This is
the future of music. Pop, rock, jazz, soul, electro and even a little
bit of hip-hop jumbled up and reassembled by the insane creativity
of Outkast. Catchy, fun, witty and unique. (CL)
3.
BEYONCE KNOWLES ‘CRAZY IN LOVE’ - Her voice
says good gospel girl, her body says brazen hussy. If ever a record
was recognised and liked by just about everybody it is ‘Crazy
In Love’. “Oh-oh, oh-oh, oh-oh-ho-ah” she sings.
‘Ting-ting-ting-ting-ting-ting’ goes the cow bell. (RH)
4. ATLAS ‘STANDING ON SHOULDERS’ –
A perfect pop tune from a mixed bunch of Kiwis, Aussies and Scandinavians
residing in East London, it’s like the Cardigans meeting The
Sundays only better. They haven’t even got a record deal anymore.
For shame. (CL)
5. BROADCAST ‘PENDULUM’ – Much
overlooked work of electro pop genius. You idiots, what were you
thinking!? (SM)
6. CHUNKING ‘MAKING MUSIC’ –
Beautiful, stirring soul with an electronic brain. Joyful and sad
at the same time. (CL)
7. LFO ‘FREAK’ - Fantasic mutant scuzoid
old skool bass rumbler. (SH)
8. 50 CENT ‘P.I.M.P’ – Kettle
drums, Snoop Dogg and 50 whistling through the hole in his cheek.
Enough said. (CL)
9. INTERPOL ‘OBSTACLE NO. 1’ - The
stand out track from Turn On the Bright Lights album prefectly encapsulates
this band's sound. New York punk riffage by way of gloomy Manchester
basslines. I for one can't think of anything better. (SH)
10. ‘YEAH YEAH YEAHS ‘MAPS’ -
Blisteringly effective ballad from one of the years finest albums.
(SH)
Best Gig
1.
BASEMENT JAXX: HAMMERSMITH PALAIS, LONDON - By the same
process that saw Westlife’s cover of ‘Mandy’ recently
voted best pop record of 2003 (i.e. it was number one at the time
and fresh in people’s minds) the recent Basement Jaxx gig
wins Eyeballkid’s gig of the year because it was a Christmas
cracker. Part of the novel tour of London’s regions (North,
South, East and West) the Hammersmith Palais was packed to the rafters
with punters eager for a repetition of their ‘Rooty’
tour. And except for the lack of bikini clad dancers that’s
what they got. High energy beats, lyrically gifted MCs, cool vocalists
and impressive back drops whipped the crowd into a frenzy for an
hour and a half before the venue went into chill-out mode and continued
the party until 3am. A well thought out and very successful night.
(RH)
2.
MAJESTICONS: 93 FEET EAST, LONDON – Good meets evil
in a hip-hop drama as producer and DJ Mike Ladd brings his Majesticons
vs Infesticons trilogy on the road. Audience participation is demanded
and you end up involved in the power struggle while Ladd sends contemporary
mainstream hip-hop and r’n’b by doing it better. (CL)
3. CHICKS ON SPEED: ISLINGTON ACADEMY, LONDON
- Hi tech, feminist punk mayhem from three shouting ladies of questionable
virtue. Like children with attention deficit syndrome AND tourettes,
gone bad on too much sugar. (SM)
4. RADIOHEAD: POINT THEATRE, DUBLIN - The moment
when all that sonic experimentation finally made sense an awesome
spectacle from a band at the height of their powers. (SH)
5. TINDERSTICKS: CENTRAL PARK, NEW YORK - Free,
sunshine, picnic rugs, red wine and the sun going down -says it
all really. (NM)
Best Video
JUNIOR
SENIOR – ‘D-D-DON’T STOP THE BEAT’ -
This should have gone to the White Stripes for the technically proficient
‘Hardest Button to Button’ video but never let it be
said that these accolades are nothing if not eclectic and open minded.
Accompanying possibly the most annoyingly catchy single of the year
(not a category) the video was a computer animation that looked
like it was done on a Spectrum 48K - all big pixels and block colours.
There was a cheeky squirrel in it who stole a horse and jumped over
some cars. In the end he flew off in Darth Vader’s Ty Fighter.
Silly really but suited the song perfectly. (RH)
Best Film
1.
CITY OF GOD - Straight out of Brazil. Kinetic camerawork
and five star perfomances from a largely amateur cast insured this
was one of the surprises of the year. Featured death, loyalty, treachery
and chickens. Mmmm chicken. (SH)
2. GOODBYE LENIN – A witty and inventive
story sees an East German teenager try to recreate post-Communist
Berlin for his mother who re-emergence from a coma comes after the
fall of the Wall and the socialist society she dedicated her life
to. The films swings from comedy to melodrama all the while trying
to understand how we recreate history amid our own personal narrative.
(CL)
3. PIRATES OF THE CARIBBEAN - Universal appeal, an almost
entirely British cast, a gorgeous leading lady and the most original
character creation for years means that ‘Pirates of the Caribbean’
wins this category hands down. Johnny Depp’s comical character
Jack Sparrow, inspired by ageing rocker Keith Richards, cemented
the actor’s reputation for selective creativity and has mileage
enough for a sequel. Bizarrely based on a theme park ride, the film
itself manages to avoid Disney cheese almost entirely to deliver
a witty blend of swashed buckles, swabbed poop decks, special effects
and an imaginative storyline. The ladies love Orlando Bloom, the
gents fancy Kiera Knightley and the kids dig the wooden eye of Mackenzie
Crook. Everyone’s happy. (RH)
4. KILL BILL – Tarantino trades macho posturing
and gratuitous violence for lady-posturing and stylized violence.
And people say he’s not versatile. (SM)
5. FAR FROM HEAVEN - Todd Haynes directs Julianne
Moore in this period-perfect homage to the 1950s melodramas of Douglas
Sirk. (NM)
Best TV Programme
MONKEY
DUST - How difficult is it to award this category? it is
almost impossible to pick a winner without sounding either predictable
(Bo Selecta), pretentiously serious (Channel 4 News) or just downright
charitable (You’ve Been Framed/Today with Des and Mel). However,
BBC Three’s animated comedy sketch show ‘Monkey Dust’
wins for its daringly dark and bad taste view of contemporary life,
as well as its striking animation style. Featuring characters such
a hapless closet homosexual trying desperately to summon the courage
to go cottaging, and the lovably simple Geordie ‘Meat Locker
Murderer’ who, every episode, gets released from life imprisonment
only to fall foul to a cynical modern society that leads him to
kill again, Monkey Dust is tonic to a PC culture that is in danger
of taking itself too seriously. (RH)
2. CRIME SCENE INVESTIGATION - Most people find
it hard to distinguish between left and right these days, let alone
two concurrently run series of CSI. Whilst having to deal with close-up
arterial embolisms, bullets ricocheting internally within a human
thorax and the time-skipped process of human putrefaction, the weekly
C5 double episode CSI-in's take place in Miami and then Las Vegas
once you have caught your breath. Like a hair advert, criminals
are brought to the fore with an obligatory 'science-bit' that recreates
the facts behind each and every Opening Scene Murder. Whether just
dipping in or yelling at the kettle to hurry up, this show has to
be one of the most stylish and well produced shows I have seen in
2003. Because of CSI, I know you can extract mitochondrial DNA from
inside teeth (which are largely fireproof) but that’s nothing
to what “actually happens” to a human leg when put through
a wood-chipper .... muhahaha. Dark, fast and clever, this is a thinking
person’s Sherlock Holmes with US Cable style and panache.
Gruesome yet awesome. (RS)
3. QUEER EYE FOR THE STRAIGHT GUY – Five
totally fabulous he-bitches wax a fat guy’s back, teach him
to flambé and decorate his flat in order to make him acceptable
to the female species. The straight man can typically be heard to
say, “So, like…skid marks are NOT okay? Is that a gay
thing, cause I’ve totally always had them?” (SM)
4. BIG BROTHER THE EXPERIMENT – While reality
tv continues to film itself digging its own grave, this one bright
spot gave us back what we loved so much about it, naïveity.
The teens were wide-eyed for a minute then soon forgot where they
were and gave us a wonderful week’s worth of trantrums, shouting,
bitching, moaning and finally coming out at the end about as real
as they went in. (CL)
5. MATTHEW KELLY ON FRANK SKINNER - gripping and
cringe-inducing at the same time. Kelly quizzes Skinner on whether,
now that Kelly has been cleared of all charges, Skinner still stands
by the paedophile jokes he made about Kelly on live telly, on the
day he was cleared. (NM)
Twat of the year
GEORGE
W. BUSH - Whoever it is who let George W Bush say “What
the Israelis and Palestinians need to do is sit down and discuss
things like good Christians”. Hero or Villain – you
decide. Either way, eventually people are going to look forward
to seeing George Dubya step off Air Force One. “Tell us the
one about the French!” they’ll shout. “Say something
else!” they’ll beg. Apparently there are enough ‘Bushisms’
to fill a 365 day desk calendar which is bound to be a hot cake
this Xmas. With Saddam safely behind bars the next election is in
the bag and we can look forward to another four years of edge-of-your-seat
nervous tension in global politics – but with a comedy twist.
What strange times we live in. (RH)
SIMON
COWELL - Continuing his success with Pop Idol, this year
Simon has shown a Dickensian ability to worm his way (via txt) into
more pockets than ever before. Understanding that his insatiable
need for young, malleable creatures might be explained by having
an incredibly small....minded-view about “what we find interesting”
vs. “what we find everywhere”, might make it easier
to “ahem” swallow. Nevertheless, we must admit that
the dark Mordor-esque influence of this nefarious and morally negligent
character is starting to kill music. The top ten has become a weekly
gong-hunt for production teams around the world where the best filter
wins. If we look at an average bunch of Number 3’s to Number
15’s we can happily say 2003 was the Year Of The Same. To
clarify, we know he has access to the best justice money can buy
and sue the arse of anyone he cares to. I say we should throw caution
to the wind and bring this talentless jestser down, with the leonine
claws of public opinion firmly embedded in his fat neck, before
the concept of creativity utterly, utterly vanishes. (RS)
and
the winner is. . .
For his continual disregard for any other nation rather than his
own, for his pig-headed pursuit of the world's natural resources,
for his refusal to co-operate with global environmental protocols
and for the fact that he appears to be quite stupid, it , it has
to be Gary Neville. (RH)