| Another
Irish singer/songwriter. Cathy doesn’t like to listen to any
other records for fear of her sound being influenced and sounding
too much like other artistes. An interesting idea, but one that
doesn’t work. I mean, obviously she’s going to sound
like other people’s work – that’s got to be well
nigh impossible to avoid for a debutant using the base of guitar,
bass and drums after 50 odd years of the formula – hasn’t
it?
The extent to which it doesn’t work is pretty
funny. Her little girl lost voice is an old trick best used by Tanya
Donelly, or even Britney Spears (early doors), and the fact that
Cathy employs it in overdrive throughout ‘Something Ilk’
makes comparisons and irritation inevitable.
‘Come Over’ is a rabble-rousing but
disjointed opener and ‘Trade Secret’ (despite featuring
kazoos) is yet more indie-by-numbers which has been demonstrated
more brilliantly recently on the Martinis album. The rest is more
of the same, minus the kazoo.
It’s not that this is a bad record. She can
hold a tune and has an ear for a catchy melody, but here’s
my problem. ‘Something Ilk’ is so run-of-the-mill that
I can’t produce anything significantly word-smithy to distinguish
this from any other record. Cathy demonstrates some clever-ish lyrics,
“I might be hollow, but I’ve had my fill”, but
it’s not really worthy of comment, is it? So instead I look
to see if there’s an angle I’ve missed. Y’know…
Cathy’s thing, her drive, her reason for making music…
Maybe it’s just that there’s something
interesting about a singer/songwriter who seems comprehensively
dipped from head to toe in the last 15 years of indie music, yet
denies listening to any of it. Maybe…
words: Roger Hadwen
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