Having introduced them on his 'Come Get It I Got
It' mix album from earlier this year, Belfast DJ David Holmes presents
the full debut of The Free Association. Holmes and fellow producer
Steve Hilton formed the group around vocalists, Sean Reveron and
Petra Jean Phillipson, and a host of guest musicians.
If the collective set-up is reminiscent of Sly and
the Family Stone, then the music is from a similar lineage. 'Free
Ass O-C-8' would be their 'Family Affair' if it wasn't such laid-back,
idling funk possessed by a slow groove deeper than a blood feud.
Phillipson's voice recalls Billie Holiday, such as on the single
'(I Wish I Had A) Wooden Heart', while 'Pushin A Broom' is the kind
of working class soul that seemed extinct these days; her wearily
wonderful voice and the purifying horns getting into every dirty
corner.
Elsewhere Reveron's beatnik, unrhyming rap creates
an errie atmosphere along with Holmes' nightmarish strings and threatening
beats on 'Le Baggage'. 'Don't Rhyme No Mo' is a hectic urban scene
of harsh sirens and words, while on the surreal 'La Dolce Vita',
Reveron's voice and the squealing saxophone become indistinguishable.
As the unit the Free Association have a unique style.
And while the beats and production is often recognisably as his,
the album doesn't sound like a David Holmes album -with the honourable
exception of 'Paper Underwear' which could have been lifted from
the 'Let's Get Killed' sessions. The perfect marriage of his cinematic
sensibilities and the band's collective soul comes on the album
closer, the hauntingly beautiful, 'Whistlin' Down The Wind'.
At only 42 minutes it's a short album given today's
standards. It's like The Free Association are harking back to a
simpler time when an album fitted onto one piece of vinyl. And coming
close to that perfect record.
words: Colm Larkin
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