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In the wintery heartlands
of Finland an ambient techno duo have been forging strange distant
sounds by bolting bits of analogue recording equipment together and
seeing if it works. A complex pairing of North European Techno-enthusiasts,
they shared the Sahko/Puu label along with most other Finnish electronica
musicians in the early nineties before grabbing a major slice of the
action with Mute recordings. This prompted their first four albums,
now complimented by a new monster four CD release called 'Kesto'.
As their live shows are fabled to produce the same
subsonic battlefield frequencies as the Dept. of Defense have experimented
with, I tuned in to Pan Sonic with caution. As they dedicated one
of the CD's to Charlemagne Palestine, a crazed 1960's sound artist
who used to beat pianos with his bloody hands, I began to feel real
fear.
By continually blurring the lines between electronica
and techno, the overall feel is dark, snowy and jagged. If you travel
through the astral rings of abstraction and deconstruction set out
by Autechre, Oval or Nonplace Urban Field and Throbbing Gristle,
you will eventually end up here, a glacial dark planet bereft of
human warmth. Here you must stay for 238 minutes. Each disk has
its own feel: Disk 1- industrial and abrasive, Disk 2 - oblique,dirty
electro. Disk 3 - unsettling lowbeam sounds, complete silences and
'metal meets concrete' effects. Disk 4: single track only made up
of sepulchral pulsing tones, glowing away like Clark Kent's green
crystal - for an hour.
This 'acoustica' is a fascinating yet terrifying
place. Vast bleak soundscapes terrorised by occasional apocalyptic
blasts - walls of solid feedback rearing up mercilessly amongst
radioactive hums and luminous tones without ever capitulating to
a single beat. There are recognisable sounds, a toilet flushing
here, a xylophone there but nothing very accessible. The haunting
surreality of the last and best disk wipes away the disappointment
from some of the languid and overly pregnant pauses this work has
sometimes spawned. An awesome work of mood manipulation, this is
interstellar travelling music for your cryogenic pod.
words: Rufus Sanders
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